WENDELL BERRY’S ANGEL
Appearing once, she said simply,
“Worship
quiet.” & then, later,
“Don’t worship me.
I am fallen.” “But
your wings,” I said.
“Don’t look
at them,”
she answered. “Don’t
approach me, even.”
She stood cloaked
in fine silk the color
of lightning—
or perhaps
he did. Gender, false logos,
be damned.
I still don’t know which—
just that a gospel
entered me
as if a bullet
in my brain
I cannot remember.
The story
I don’t understand
is the one told to me
by that angel’s absence
—grace’s first
departure into winged silence
levitating
from me,
blue eyes burned black
by the fiery core
of that single vision:
[*]
If grace exists, it does so
quietly—& far away.
& without staying put.
& because
of its tendency to leave
—an all-too-human
quality—it cannot be
worshiped. God escapes,
Worship me, if
there is one, I say. & if not,
still does so—
not-approaching
no one
to teach us
to focus on the presence
of love
interacting with nothing
between us & it.
If I am called
by my belief in nothingness
to account for
angels, the truth is
no angel
visited me.
I made each detail up:
the silk, the wings, the uncertain
gender—
though if you ask me to prove
my belief—
explanation I have
for the nothing I see
—why I believe
in nothing, still, though
love dwells
nowhere
close to me—
I will swear
it happened.
________________________
J. Scott Brownlee is a Writers in the Public Schools Fellow at NYU. His poems appear in The Kenyon Review, Hayden’s Ferry Review, RATTLE, Beloit Poetry Journal, Ninth Letter, BOXCAR Poetry Review, The Greensboro Review, Borderlands: Texas Poetry Review, and elsewhere. Originally from Llano, Texas (population 3,033), he writes about the people and landscape of rural Texas and is a founding member of The Localists, a literary collective that emphasizes place-based writing of personal witness, cultural memory, and the aesthetically marginalized working class, both in the United States and abroad. His chapbook, Highway or Belief, won the 2013 Button Poetry Prize.