Pool
and she had what she wanted or the shape of it
her crowded cotton skirt scraping
the pool lip we were far from and spat
the water into little wakes that reached her
soft and unknowing like breeze
troubling a window half open
and as our lunch she sliced
for the girls an apple and held the slabs
rocking on her fingers nervous quarter moons out
for us to come towards who were peeling
slipping through the lane in pink bikini
pieces she picked and tied me into
her crinoline hem her pink toes
skirted the wavering surface girls
who were her nervous pink metronome
kickflipping to and fro for thirty laps talking
water from their mouths
Play
Two doors upstage with plastic
windows, backed by paintings
of outside: frenetic strokes of grass
and a path, disappearing. As time passed,
the house flattened
under repeated rules of light.
To signal useful thinking, lamps
in the rafters would flick on and off.
You could apprehend the change
from the audience if you adjusted
the angle of your head.
Nothing difficult was being
put into words. And so people remained
within their thick blue outlines. I was very
at sea. The sister I thought
was the mother spent her time hovering
by the landline, winding its red
knotted cord around her wrist.
When her brother entered through
the larger door, she would nestle the receiver
against her shoulder and say
“What now?”
The invisible dog breezing
through the room was a moving part.
The baby, a stuffed Ziploc bag
inside a fraying piece of quilt.
During intermission, the walls changed
their striped shirts.
It was fair to assume this all took place
in Ohio, just as it was fair to assume,
as opposed to a ghost, a person was just
a person.
When the real mother arrived, she spoke
for a long time about being young
and living, drug-addled, on a houseboat
in Corfu.
How do you know which part
is the main one? I guess,
like someone warm turning over next to you
in bed, it reaches you.
Caitlyn Klum’s poems appear in LARB Quarterly, American Chordata, Second Factory, and elsewhere. A graduate of the Michener Center for Writers, she is currently a PhD student in English and Literary Arts (Poetry) at the University of Denver.
